The Ones No One Finds
Short film, 2026
Dir. Ishara Dean
Richard, a long-haul driver and father, accidentally kills a local drunk on a night drive. Panicked, he hides the body in the outback, hoping to keep his fragile family and his own mind from falling apart. The final song suggests many others will be buried alike. Film was shot with the mix of slider, dolly, hand-held, and Steadicam.
Shot on Alexa 35 and Kowa Anamorphics.
Grave on the Hill
Short film, 2025
Dir. Ishara Dean
A failed ransom spirals into betrayal and bloodshed.
Shot on Alexa 35 and Sigma Cine.
Echoes of a Memory
Short film, 2025
Dir. Ishara Dean
Shot on Alexa 35 and Kowa anamorphics.
Oi!
Short film, 2023
Dir. Sophie Serisier
Created by Laneikka Denne, Oi was shot in 4 days. Stylistically leaning towards naturalism; a lot of shaping natural light and shooting highly choreographed oners took place. We also shot slo-mo and did intricate beauty-lighting on certain scenes where the script motivated us to be more poetic with the approach to cinematography.
Shot on ARRI Alexa 35 and Zeiss Super Speeds.
Video link
Static
Short film, 2023
Dir. Byron Wylder
A dark comedy that follows a businessman into a manic, dishevelled downfall when an unknown electrical noise keeps him awake with no remedy. Honouring classic cinema, we built a power plant miniature and used real explosions to capture the final moments of the story in the most visceral way possible.
Shot on ARRI Alexa 35 and Sigma Cine lenses.
Wellmania
2nd Unit, 2023
Dir. Helena Brooks
Covering for Dan Freene ACS, I shot 6 scenes for this Netflix series. The day consisted of cross coverage, operating a Steadicam oner as the DP, dealing with heavy rain, and choreographing moving full-size buses for Celeste Barber to run between — all while being complicated by our director having to work remotely. Yet somehow I loved every moment of it.
Shot on two Sony VENICEs and Master Primes.
Love Me S2
2nd Unit, 2023
Dir. Bonnie Moir, Tom Campbell
Digging a Big Hole
Short film, 2023
Dir. Bokkie Robertson
This film with the heartwarmingly silly premise of friends competing on who digs the most impressive hole was shot as a multi-cam production. Our goal was to create an open environment for the cast to improvise to their hearts' content.
Shot on two ARRI Alexas and Kowa Anamorphics.
Bone Head
Short film, 2023
Dir. Jilvan M.
With very limited resources at our disposal; technically our approach to shooting was utmost minimalistic with just one light and one reflector. Yet aesthetically I'm very pleased with where we took this film. Influenced by traditional arts, the cinematography had emphasis on a painterly look — using abstract brushstrokes and somber undertones.
Shot on ARRI Alexa 35 and Kowa Anamorphics.
Teaser link
Larva
Short film, 2022
Dir. Federico Diaz
Born to Spy
2nd Unit, 2021
Dir. Neil Sharma, Nicholas Verso, Darlene Johnson, Hyun Lee
Shooting both conventional 2nd Unit and covering for Carolyn Constantine ACS — I had the pleasure to shoot 12 scenes spanning across 6 episodes for this ABC miniseries. The cast was a joy to work with. Even though they might not always hit their marks, the playful energy brought to set was absolutely contagious.
Shot on two Alexa Minis and Canon Cine zooms.Video link
Richard
Short film, 2021
Dir. Annie Boyle
Short film made in 48 hours.
Child's Play
Experimental short film, 2019
Dir. Julius Koivistoinen (self)
The post-apocalyptic story of a nomad family-man sensing a looming danger nearby. This self-produced passion project was made as an exercise in world- building and shooting 35mm film in 4-perf.
Shot 4-perf on Arriflex 435 and Kowa Anamorphics.
Video link
Animal
Short film, 2016
Dir. Carlos Marroquin
With 90 minutes left to find his son, a man faces the Golden Rule; one's actions have consequences.
Thin Ribbon
Short film, 2014
Dir. Julius Koivistoinen (self)
This visual poem about ultra-athlete Markku Saarinen was my first short film. Self directed, produced, shot, and edited.
